3D and
All That

A 40-second run of a dozen tightly cut scenes carried entirely by lighting and compositing. Every transition is frame-calibrated; the pacing never lets go.

A visualiser made in collaboration with the artist Elay. Each line of narration becomes its own scene — color direction tuned shot by shot, typography integrated into the image rather than layered on top. Fourteen seconds, zero dead frames.

This project focuses on compositing and realistic lighting — the speed ramps add to the tension of the visualiser, following the pace of the beat.

A city block seen straight down — converging vehicles, smoke and rain-slicked asphalt, shot like a surveillance feed with nowhere to hide. Full 3D environment.

A moody, low-light cut — silhouettes, glitch transitions and close-up product detail wrapped in cinematic flare.

A concept visualiser on a Gola Gianni song — a lifestyle-driven cut built around cash, graphic tees and graffiti-style type, flat-lay tableaux alternating with overhead portraits.

More than a hundred scenes produced and rendered for a 30-minute documentary about drug trafficking in Hamburg — a collaboration between the German YouTuber Vince and funk, seen more than 600,000 times. Dozens of individual shots condensed into a 50-second open after six weeks of production.